Violins and Violinists

From the late medieval period and right the way through the Renaissance we see an abundance of images of Apollo and Orpheus playing the lyre, yet the evidence of a revival of lyre playing to support such images is remarkably absent. There are reasons why we should see so many images of this antique instrument, […]

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The Trumpet and Lyre in Jacques Besson’s Theatrum Instrumentorum et Machinum

Jacques Besson was born a protestant around 1540 in Grenoble. In 1559 he published an alchemical book about...

“That Neat Kind of Acer”: Sources for Italian maple in 1669

Balkan maple is particularly prized for violin making, but it’s reputation ultimately relies on...

Vitruvian Man, the braccio, the gamba and the beginning of the violin.

In the last twenty years François Denis’ Traite de Lutherie has revolutionised the way that we...

Michelangelo, Marco Girolamo Vida and some art-historical foundations for Andrea Amati…

A long read: We tend to fall into the idea of Andrea Amati and the invention of the violin as happening in...

Andrea Amati, the Campi family and the artistic milieu of 16th Century Cremona.

At length, I hope to write more on my interest in the lyric and narrative poets of Cremona in the early...

Andrea Amati and the Spanish Set.

The first thing that I would like to do is to wholeheartedly commend the brilliant work of Marie Radepone...

Ruggerio Ricci’s “Glory of Cremona”: Helpful Hints on Trying Violins & Bows

Almost every musician looking for a new instrument or bow has a different way of auditioning  instruments...

Antonio Stradivari, A Gala Celebration 1737-1987

Touring around the 1987 Antonio Stradivari Exhibition in Cremona.  It goes without saying that I was far...

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