Josquin in England: Some Additional NOtes. Uncategorized by Benjamin HebbertSeptember 21, 2022September 21, 2022
Spoliation and the violin trade: A 21st CENTURY DEALERS VIEW Uncategorized by Benjamin HebbertApril 8, 2022April 8, 2022
SOME BRITISH WOMEN IN THE VIOLIN-MAKING WORLD, 1550-1750. Uncategorized by Benjamin HebbertMarch 8, 2021March 8, 2021
Violin making in Northern Europe in the time of the Amatis: Part 2 Uncategorized by Benjamin HebbertNovember 7, 2020
Violin Making In Northern Europe in the time of the Amatis: Part 1. Uncategorized by Benjamin HebbertOctober 19, 2020November 12, 2020
A CASE STUDY IN PROVENANCE: LT. Colonel JOHN Stewart and the JACOBITE VIOLIN MAKER Uncategorized by Benjamin HebbertSeptember 7, 2020September 8, 2020
Musicians in a time of Plague: London 1665. Uncategorized by Benjamin HebbertMarch 20, 2020March 20, 2020
Fake or Fortune: Is it a real Stradivarius? Uncategorized by Benjamin HebbertJanuary 9, 2020January 9, 2020
Ricci’s “The Glory of Cremona” – Helpful hints on trying instruments. Uncategorized by Benjamin HebbertJanuary 9, 2020January 9, 2020
Antonio Stradivari, A Gala Celebration 1737-1987 Uncategorized by Benjamin HebbertJanuary 8, 2020January 8, 2020
Violins and Violinists 