Delighted again to lecture at the Royal Academy of Music in January 2017 in collaboration with Peter Sheppard Skaerved, John Dilworth and Neil Heyde, exploring the world of François-Antoine Habeneck and his extraordinary Stradivari of 1734.
![François-Antoine_Habeneck___Lambert_jeune_[...]_btv1b8420706h](https://i0.wp.com/violinsandviolinists.com/wp-content/uploads/2018/06/franc3a7ois-antoine_habeneck___lambert_jeune_-_btv1b8420706h.jpeg?resize=487%2C711&ssl=1)
It was long before lockdown that my good friend Andrew Krastins swore solemnly swore me to secrecy during one of our periodic meet-ups at Rules
Balkan maple is particularly prized for violin making, but it’s reputation ultimately relies on violin makers regarding it as a good and logical match for
Our understanding of the use of Pernambuco wood for violin bow making suggests that it did not really come into vogue until the end of
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